ZAK SCOTT AND FRIENDS
The Duchess Theatre, Long Eaton
A one night only chance to see Zak and some of his talented friends perform to raise money for The Phoenix Project which was set up to maintain and improve The Duchess Theatre after it was burnt down in 2003.
This was a massive project for a 16 year old to organise, as there is so much more than meets the eye to organise and arrange when you are putting on something of this scale.
Knowing Zak as I do, he is a total professional and strives for perfection in all that he does and I know that he would want me to be as honest as I can be in my review, so here goes!
This last week there have been a few things that had to be changed at the last minute for this show. One artists having to pull out which meant a last minute shuffle and filling in of content. Matthew Leigh Biddulph, who was to have been the compere was substituted by David Allen and Matt moved behind the drum kit in the live band.
The show was called Zak Scott and Friends and when your name is the title of the show, this will always add pressure to anyone and with all of the above, and his desire to make this evening a success, I think this affected Zak in the first half of the show, as when he was on stage, he looked nervous and his singing was affected by not hitting the notes that he would normally have hit. Notes were shortened when they should have been held further, but when Zak did hold the notes, the song flowed so much better. As an actor he should have disguised the nervousness that you could see in his eyes,and believe me I have seen Zak act and he is a damn fine actor as well as a fine singer.
Zak needed to stop looking down so much when singing, and smile more, which finally in the second part, he did and boy did that make a difference. Zak came to life when he sung "Electricity" from "Billy Elliott" and he looked like he was finally starting to enjoy being on that stage, and I started to relax as well. His duet in the second half with Oliver Wheddon, of "You and Me" from "The Book Of Mormon" really highlighted Zak's and Oliver's fun side, and they delivered a lovely slice of musical comedy which everyone loved. Zak also delivered, again in the second half, two very emotive performances in "Till I Hear You Sing" from "Love Never Dies" and the final song, which gave me goosebumps, "Bring Him Home" from "Les Miserables"
Speaking to Oliver, who by the way is only 15, last week, he confessed that he was most worried about the choreography in the show and he did seem to have a bit of a problem with this but hey, not all good singers can dance can they? The highlight for me with Oliver was "Empty Chairs" from "Les Miserables", absolutely spot on, mate!
Also among Zak's friends were Holly Pilgrim who delivered a lovely version of "Tomorrow" from "Annie" as well as a mischievously good version of "Naughty" from "Matilda". Emily Horner who delivered another emotionally charged version of "Tell Me It's Not true" from my fave musical, "Blood Brothers", Ellie Simmonds who sang "No One But You" from the musical"We Will Rock You" and "Part Of Your World" from "The Little Mermaid".
Drama was provided by Showcase Drama Group. I enjoyed the comedy of "Lunch On A Train" more than "The Witches" which was I felt a bit too dark for the evening. Dance was covered by Rosie, Kirsty and Cara and also a freestyle section, which I really enjoyed, as did most of the ladies in the house, performed by dancer, Jamie Bucanan.
There were four pieces performed by everyone, my favourite being the final piece called "Revolting Children" which was great fun track from the musical "Matilda".
David Allen, as compere, managed to move the proceedings along smoothly with his easy. likeable personality. Having performed the job of compere in the past in shows in Nottingham, I know that this is not an easy job, and David managed to make it look easy.
The live band sounded crisp and provided a perfect backing for the singers.
Much is made of the youth of today and the media are all too ready to paint teenagers in a bad light, highlighting the wrong that is done by the small minority, but when you see something like this show, you really do see what teenagers can do, and they should receive more praise for stuff like this. A great bunch of incredibly talented teenagers, providing a varied evening of entertainment, and giving something back to the world of entertainment at The Duchess and the community.
And on a final note, a massive pat on the back for Zak for getting it all together. This kind of show, with the amount of different performers would be a mammoth task for any professional company, but Zak, along with the brilliant support acts and family and friends provided a night of memorable music and entertainment which I hope has raised a good deal of cash for The Duchess. You should all be proud of yourself!
Saturday, 6 September 2014
Tuesday, 2 September 2014
THE KITE RUNNER
Nottingham Playhouse
A very welcome return to the Nottingham Playhouse for the play adapted by Matthew Spangler from the book written by Khaled Hosseini about Amir, a young Afghanistan man, who manages to escape the horrors of Afghanistan in the 70's and the Taliban.
Having not seen the play before, seen the film or read the book, I was completely oblivious of the story apart from the bit of research on the play and the author prior to the show. With no expectations set in my mind I sat back to experience one of the most enjoyable, at times shocking, powerful play I have seen in a long while.
While some may see the play as a story of guilt, this is a play about love, loyalty, friendship, fear, family as well as betrayal of friendship and while the play is set around Afghanistan and it's issues at that time, take that out of the equation and this play transcends any race or religion with the other sub issues.
At times this play will make you take an intake of breath, will leave you shocked, angry and feel hatred and other times you will be laughing and almost admiring the sort of relationship Amir had with his servant/best friend Hassan. The kind that best friends have when they both grow up together from babies, but how this friendship deteriorated is the crux of this amazing story and the repercussions caused by Hassan's betrayal by his best friend.
That is only half of the story, and the second half is what happens to Amir afterwards and his struggle through life and his wrestling with his conscience to do what he feels to be the right thing in recompense for his betrayal.
And then there is the relationship between Amir and his father, Amir's yearning to impress his father, and his wish to just gain the recognition that a son looks for from his father.
The play is amazingly good on so many different levels and is delivered by an equally amazing set of actors, Ben Turner as Amir smoothly moves from being an adult back into the mind set of an 11 year old boy, playfully cavorting around the stage, playing out his, and Hassan's love of western movies, and then back to being a sensible and troubled adult as the role of story teller.
Andrei Costin makes his professional stage debut in "The Kite Runner" as Hassan and doubling as Sohrah, Hassan's son in the second half and delivers a very emotive piece of theatre characterization in his role.
I'm not going to mention all the actors, mainly because they were all so incredibly good, but two others did slightly stand out for me, Emilio Doorgasingh as Baba and Nicholas Karimi as Assef, the nasty piece of work at play here in this play.
The sets were simple but so very effective in transporting you to where the play wanted to take you and some brilliant and evocative music played live on stage by the very talented Hanif Khan. Both adding to the ambience of the era and the settings for the piece.
I always say that unless a piece of theatre doesn't leave you with some sort of emotions to take away from the theatre, then it has not done it's job. I can confirm that this piece of theatre does it's job and so much more, which I am sure is also partly due to the direction of Mr Giles Croft.
"The Kite Runner" is at the Nottingham Playhouse until Saturday 6 September 2014
Nottingham Playhouse
A very welcome return to the Nottingham Playhouse for the play adapted by Matthew Spangler from the book written by Khaled Hosseini about Amir, a young Afghanistan man, who manages to escape the horrors of Afghanistan in the 70's and the Taliban.
Having not seen the play before, seen the film or read the book, I was completely oblivious of the story apart from the bit of research on the play and the author prior to the show. With no expectations set in my mind I sat back to experience one of the most enjoyable, at times shocking, powerful play I have seen in a long while.
While some may see the play as a story of guilt, this is a play about love, loyalty, friendship, fear, family as well as betrayal of friendship and while the play is set around Afghanistan and it's issues at that time, take that out of the equation and this play transcends any race or religion with the other sub issues.
At times this play will make you take an intake of breath, will leave you shocked, angry and feel hatred and other times you will be laughing and almost admiring the sort of relationship Amir had with his servant/best friend Hassan. The kind that best friends have when they both grow up together from babies, but how this friendship deteriorated is the crux of this amazing story and the repercussions caused by Hassan's betrayal by his best friend.
That is only half of the story, and the second half is what happens to Amir afterwards and his struggle through life and his wrestling with his conscience to do what he feels to be the right thing in recompense for his betrayal.
And then there is the relationship between Amir and his father, Amir's yearning to impress his father, and his wish to just gain the recognition that a son looks for from his father.
The play is amazingly good on so many different levels and is delivered by an equally amazing set of actors, Ben Turner as Amir smoothly moves from being an adult back into the mind set of an 11 year old boy, playfully cavorting around the stage, playing out his, and Hassan's love of western movies, and then back to being a sensible and troubled adult as the role of story teller.
Andrei Costin makes his professional stage debut in "The Kite Runner" as Hassan and doubling as Sohrah, Hassan's son in the second half and delivers a very emotive piece of theatre characterization in his role.
I'm not going to mention all the actors, mainly because they were all so incredibly good, but two others did slightly stand out for me, Emilio Doorgasingh as Baba and Nicholas Karimi as Assef, the nasty piece of work at play here in this play.
The sets were simple but so very effective in transporting you to where the play wanted to take you and some brilliant and evocative music played live on stage by the very talented Hanif Khan. Both adding to the ambience of the era and the settings for the piece.
I always say that unless a piece of theatre doesn't leave you with some sort of emotions to take away from the theatre, then it has not done it's job. I can confirm that this piece of theatre does it's job and so much more, which I am sure is also partly due to the direction of Mr Giles Croft.
"The Kite Runner" is at the Nottingham Playhouse until Saturday 6 September 2014
Monday, 18 August 2014
MURDER WEAPON
Nottingham Theatre Royal
The final of this year's Colin McIntyre Classic Thriller Season by Tabs Productions at the Nottingham Theatre Royal closes with the best yet, "Murder Weapon" by Brian Clemens.
There are several nods to other classic writers with the role of Charley Mirren being just a little similar to Steinbeck's Lennie in "Of Mice And Men" whose partner in crime in that play was George, who just happens to be Charley's friend's name from his prison days in "Murder Weapon". Charley has mental health issues and has been convicted of murder and has just been released and has been advised by the prison service to attend meetings with Dr Blake "to help" his rehabilitation.
Dr Blake takes on the case of the damaged ex prisoner and takes him into his confidence and decides that their meetings should take place away from the office, in a pub and once at his home, This is when Dr Blake lets Charley into his own problematic life and between them a plot is hatched to help both Dr Blake and Charley, as Charley has now become reliant on Dr Blake for his friendship.....or so he thinks!
I'd not seen this play before and it was intriguing to spot the clues along the way, and there is one big one which is given out at the start which becomes apparent to the revelations later on in the play and when you get this, the unravelling begins. A real light bulb moment!
It was a brilliant performance by Jeremy Lloyd-Thomas as Charley with his headaches, nightmares and conflicting admissions and denials. You begin to feel sorry for the character and later on you discover just what really did happen that put him in prison ten year's previous.Some quite emotional and powerful scenes as Charley which showcased Jeremy's emotive acting.
Karen Henson, as Jessica Bligh, the detective, is also wonderful in her only acting role this season, but well worth waiting for. Jessica Bligh is the sort of detective whose dogged determination of the innocence of Charley, even though he was caught red handed, gun in hand with a dead body at his feet by Jessica herself and the murdered man's wife, Diane Tulliver, played by Jacqueline Gilbride. really paid off...this time anyway.
Alan Magor plays his most meaty and dramatic role in this Thriller Season, and I can't really say much more without giving anything away, I'll just say that this is my favourite of all of Alan's performances this season.
Michael Sherwin is brought to the fore this week as Inspector Fremont, sidekick to Bligh, and Andrew Ryan, who in the last three weeks has been very prominent, takes a smaller, but no less important role as the murdered Paul Tulliver. Mustn't forget Edward Parris either as Constable Walters. A brilliant cast and an amazing end to a wonderful season.
As I mentioned, there are loving nods to the Scottish play, which seems to run through this season's shows, Durbridge's "Fatal Encounter" and one other, which I will not give away as that is a vital clue,
So to sum up, great cast, great play, great fun and worthy of a standing ovation...if only the rest of the audience had joined me in that one!!
Until the next time Tabs Productions, thank you for the best season ever and I can't wait for next year.
Nottingham Theatre Royal
The final of this year's Colin McIntyre Classic Thriller Season by Tabs Productions at the Nottingham Theatre Royal closes with the best yet, "Murder Weapon" by Brian Clemens.
There are several nods to other classic writers with the role of Charley Mirren being just a little similar to Steinbeck's Lennie in "Of Mice And Men" whose partner in crime in that play was George, who just happens to be Charley's friend's name from his prison days in "Murder Weapon". Charley has mental health issues and has been convicted of murder and has just been released and has been advised by the prison service to attend meetings with Dr Blake "to help" his rehabilitation.
Dr Blake takes on the case of the damaged ex prisoner and takes him into his confidence and decides that their meetings should take place away from the office, in a pub and once at his home, This is when Dr Blake lets Charley into his own problematic life and between them a plot is hatched to help both Dr Blake and Charley, as Charley has now become reliant on Dr Blake for his friendship.....or so he thinks!
I'd not seen this play before and it was intriguing to spot the clues along the way, and there is one big one which is given out at the start which becomes apparent to the revelations later on in the play and when you get this, the unravelling begins. A real light bulb moment!
It was a brilliant performance by Jeremy Lloyd-Thomas as Charley with his headaches, nightmares and conflicting admissions and denials. You begin to feel sorry for the character and later on you discover just what really did happen that put him in prison ten year's previous.Some quite emotional and powerful scenes as Charley which showcased Jeremy's emotive acting.
Karen Henson, as Jessica Bligh, the detective, is also wonderful in her only acting role this season, but well worth waiting for. Jessica Bligh is the sort of detective whose dogged determination of the innocence of Charley, even though he was caught red handed, gun in hand with a dead body at his feet by Jessica herself and the murdered man's wife, Diane Tulliver, played by Jacqueline Gilbride. really paid off...this time anyway.
Alan Magor plays his most meaty and dramatic role in this Thriller Season, and I can't really say much more without giving anything away, I'll just say that this is my favourite of all of Alan's performances this season.
Michael Sherwin is brought to the fore this week as Inspector Fremont, sidekick to Bligh, and Andrew Ryan, who in the last three weeks has been very prominent, takes a smaller, but no less important role as the murdered Paul Tulliver. Mustn't forget Edward Parris either as Constable Walters. A brilliant cast and an amazing end to a wonderful season.
As I mentioned, there are loving nods to the Scottish play, which seems to run through this season's shows, Durbridge's "Fatal Encounter" and one other, which I will not give away as that is a vital clue,
So to sum up, great cast, great play, great fun and worthy of a standing ovation...if only the rest of the audience had joined me in that one!!
Until the next time Tabs Productions, thank you for the best season ever and I can't wait for next year.
Tuesday, 12 August 2014
EQUUS
Nottingham Playhouse
When you mention "Equus" people will automatically think of Daniel Radcliffe baring all, but there is so much more to this play. That is just a very small part of the story which, as this play is performed by the Nottingham Playhouse Advanced Youth Theatre Group, there is no full nudity.
For those who don't know their Latin, Equus means horse, and while horses are quite involved in this story, the actual story is about 17 year old Alan Strang, a young man with a strict atheist for a father and an excessively religious mother, both wanting Alan to be like them. No wonder the poor boy is confused and turns to horses for comfort.And also about the psychiatrist who attempts to treat Strang for his pathological religious fascination with horses.
After blinding six horses at the stables that he helps out at, he is saved from prison by Heather Solomon, a social worker, by getting psychiatrist Martin Dysart, to take on the case and get to the bottom of why Strang did what he did.
Strang has been seriously damaged by his parents which leads him to singing TV commercials instead of answering questions about what has happened, but slowly Dysart manages to crack through this hard wall that Strang has built around himself for protection, and gets to the real truth. Nature or Nurture, a question that is brought to the fore here.
This particular theatre group's acting ability belie their tender years and there are some brilliant performances from Jacob Seelochon, the psychiatrist who not only breaks down the walls around Strang, but also discovers a few home truths about his relationship with his wife, thanks to Strang's revelations.Jacob is a very natural, passionate and dramatic actor, which is what is needed for this role and not only that, he has the majority of the lines in the play as well, delivered unfalteringly. An excellent performance.
Another excellent performance is delivered by Tom Martin as Strang. Sensitively playing out the mental torture he keeps locked away in his mind, Slowly peeling away the protective skin of the character to reveal the soft underbelly of the hurt teenage Strang. An excellent comparative of the dark denial side and the desperate longing to be rid of his nightmares and past. I have seen Tom in several roles in various theatres in Nottingham but this has to be his finest hour to date.
Some wonderful supporting actors in Will Harrison as the controlling father Frank Strang, Eleanor Sharkey as the over religious mother, Dora Strang, Paige Peddie as the social worker Heather Solomon, who you feel that without her, Strang, would have been in a much worse place than the place he finally ended up at.
It was a good call that director, Sarah Stephenson, decided to keep the play set in the 70's, which gave rise to some wonderful retro outfits and facial hair (Couldn't work out whether Will's sideburns and moustache were his own or facial props). The play, by Peter Shaffer, was written in 1973.
Sound and light play a big part in any theatre production and the sound design by Thomas Preston was timed to perfection and the clever and effective lighting was designed by Stephanie Bartle.
Performed in the intimate Neville Studios above Cast bar, it was staged in the round with three sides for the audience and the fourth being set out like a jury's bench in a court room with the supporting actors taking their turns to weave in and out of the action when needed.
There is a section of the script delivered by Jacob about passion,and this so apt for this play and this theatre group because you can feel the passion that every actor has for this play and performing which makes this harrowing play so very realistic and an absolute joy to see.
"Equus" is on at The Neville Studios at the Nottingham Playhouse until Saturday 16 August 2014
Nottingham Playhouse
When you mention "Equus" people will automatically think of Daniel Radcliffe baring all, but there is so much more to this play. That is just a very small part of the story which, as this play is performed by the Nottingham Playhouse Advanced Youth Theatre Group, there is no full nudity.
For those who don't know their Latin, Equus means horse, and while horses are quite involved in this story, the actual story is about 17 year old Alan Strang, a young man with a strict atheist for a father and an excessively religious mother, both wanting Alan to be like them. No wonder the poor boy is confused and turns to horses for comfort.And also about the psychiatrist who attempts to treat Strang for his pathological religious fascination with horses.
After blinding six horses at the stables that he helps out at, he is saved from prison by Heather Solomon, a social worker, by getting psychiatrist Martin Dysart, to take on the case and get to the bottom of why Strang did what he did.
Strang has been seriously damaged by his parents which leads him to singing TV commercials instead of answering questions about what has happened, but slowly Dysart manages to crack through this hard wall that Strang has built around himself for protection, and gets to the real truth. Nature or Nurture, a question that is brought to the fore here.
This particular theatre group's acting ability belie their tender years and there are some brilliant performances from Jacob Seelochon, the psychiatrist who not only breaks down the walls around Strang, but also discovers a few home truths about his relationship with his wife, thanks to Strang's revelations.Jacob is a very natural, passionate and dramatic actor, which is what is needed for this role and not only that, he has the majority of the lines in the play as well, delivered unfalteringly. An excellent performance.
Another excellent performance is delivered by Tom Martin as Strang. Sensitively playing out the mental torture he keeps locked away in his mind, Slowly peeling away the protective skin of the character to reveal the soft underbelly of the hurt teenage Strang. An excellent comparative of the dark denial side and the desperate longing to be rid of his nightmares and past. I have seen Tom in several roles in various theatres in Nottingham but this has to be his finest hour to date.
Some wonderful supporting actors in Will Harrison as the controlling father Frank Strang, Eleanor Sharkey as the over religious mother, Dora Strang, Paige Peddie as the social worker Heather Solomon, who you feel that without her, Strang, would have been in a much worse place than the place he finally ended up at.
It was a good call that director, Sarah Stephenson, decided to keep the play set in the 70's, which gave rise to some wonderful retro outfits and facial hair (Couldn't work out whether Will's sideburns and moustache were his own or facial props). The play, by Peter Shaffer, was written in 1973.
Sound and light play a big part in any theatre production and the sound design by Thomas Preston was timed to perfection and the clever and effective lighting was designed by Stephanie Bartle.
Performed in the intimate Neville Studios above Cast bar, it was staged in the round with three sides for the audience and the fourth being set out like a jury's bench in a court room with the supporting actors taking their turns to weave in and out of the action when needed.
There is a section of the script delivered by Jacob about passion,and this so apt for this play and this theatre group because you can feel the passion that every actor has for this play and performing which makes this harrowing play so very realistic and an absolute joy to see.
"Equus" is on at The Neville Studios at the Nottingham Playhouse until Saturday 16 August 2014
Monday, 11 August 2014
FATAL ENCOUNTER
Nottingham Theatre Royal
Play number three in the Colin McIntyre Thriller Season at the Nottingham Theatre Royal presented by Tabs Productions, and this is the one that I was most looking forward to as I do like a good Francis Durbridge thriller, and I was not disappointed!
More twists and turns than Blackpool Pleasure Beach and more red herrings than a fishmongers sale on herrings, this is one of Durbridge's most stylish of thrillers.
Set in the 1960's the whole atmosphere is of the era and is reminiscent of the old TV detective thrillers such as "Jason King", "The Avengers", Department S", well you get the idea.
There is murder, blackmail, deceit, cover ups, lies, a stabbing, it's all there to keep you on the edge of your seat and to keep you wondering who was behind the whole story. After all we know who carried out the murder, but it's the whole story behind the, albeit accidental murder, that is intriguing. I changed my mind twice trying to guess who was Mr, or Mrs Big behind the permanent eviction of Perry Kingsley.
Andrew Ryan, as Howard Mansfield, the husband of Joanna Mansfield and the one who tries to take the rap for the murder, is on stage for practically the whole play and is, again another completely different character from the previous two he has played this season. There are a lot of words for Andrew in this one and he doesn't miss a beat here. An excellent performance!
Susan Earnshaw is Joanna, the wife who is, to start with a little frugal with the truth, and if you don't know this story, will be surprised at why the snowball she causes escalated to the fatal end to Mr Kingsley, played by the lovely Adrian Lloyd-James, and the reason why he was where he was at the time of his demise.
A great supporting cast, as usual, deliver this truly excellent thriller, and in my humble opinion, the best to date this season, and I loved "The Ghost Train", then again I love Durbridge's writing style. But it does take a great cast to bring the words on the paper alive. Durbridge and Tabs Productions what a joyful combination!
Karen Henson directs"Fatal Encounter" and while we have had to wait for a couple of weeks for this season's directorial debut from Karen, it was well worth the wait; very stylish.
A nice touch for the scene changes with total blackout and classic murder mystery incidental music as well keeps the suspense high. So a nod to Michael Donoghue for the lighting design and to David Gilbrook for the sound.
"Fatal Encounter" is at the Nottingham Theatre Royal until Saturday 16th August 2014
Nottingham Theatre Royal
Play number three in the Colin McIntyre Thriller Season at the Nottingham Theatre Royal presented by Tabs Productions, and this is the one that I was most looking forward to as I do like a good Francis Durbridge thriller, and I was not disappointed!
More twists and turns than Blackpool Pleasure Beach and more red herrings than a fishmongers sale on herrings, this is one of Durbridge's most stylish of thrillers.
Set in the 1960's the whole atmosphere is of the era and is reminiscent of the old TV detective thrillers such as "Jason King", "The Avengers", Department S", well you get the idea.
There is murder, blackmail, deceit, cover ups, lies, a stabbing, it's all there to keep you on the edge of your seat and to keep you wondering who was behind the whole story. After all we know who carried out the murder, but it's the whole story behind the, albeit accidental murder, that is intriguing. I changed my mind twice trying to guess who was Mr, or Mrs Big behind the permanent eviction of Perry Kingsley.
Andrew Ryan, as Howard Mansfield, the husband of Joanna Mansfield and the one who tries to take the rap for the murder, is on stage for practically the whole play and is, again another completely different character from the previous two he has played this season. There are a lot of words for Andrew in this one and he doesn't miss a beat here. An excellent performance!
Susan Earnshaw is Joanna, the wife who is, to start with a little frugal with the truth, and if you don't know this story, will be surprised at why the snowball she causes escalated to the fatal end to Mr Kingsley, played by the lovely Adrian Lloyd-James, and the reason why he was where he was at the time of his demise.
A great supporting cast, as usual, deliver this truly excellent thriller, and in my humble opinion, the best to date this season, and I loved "The Ghost Train", then again I love Durbridge's writing style. But it does take a great cast to bring the words on the paper alive. Durbridge and Tabs Productions what a joyful combination!
Karen Henson directs"Fatal Encounter" and while we have had to wait for a couple of weeks for this season's directorial debut from Karen, it was well worth the wait; very stylish.
A nice touch for the scene changes with total blackout and classic murder mystery incidental music as well keeps the suspense high. So a nod to Michael Donoghue for the lighting design and to David Gilbrook for the sound.
"Fatal Encounter" is at the Nottingham Theatre Royal until Saturday 16th August 2014
Wednesday, 6 August 2014
AGNES OF GOD by John Pielmeier
Lace Market Theatre
I, along with a select group of people had the pleasure of seeing Zodiac Theatre's first Nottingham production at the Lace Market Theatre of "Agnes Of God" a day ahead of it's public outing, and if you're planning on seeing it on Thursday 7 August 2014, then you are in for a real treat.
Agnes is a young nun who becomes pregnant by what seems to be an immaculate conception. Whether this is the case or not we do not get to find out for sure, which leaves the viewer to make up their own mind as to what may or may not have happened.
It's also partly the story of Doctor Livingstone, the psychiatrist who has been drafted in to try and piece together what happened that led up to the events revealed in the play. We also find out why Dr Livingstone treats the Mother Superior in the way that she does throughout her investigations, and were there darker messages in the play that now and again reared its' head? A thought provoking piece of work for sure!
Lindsay Foster plays the nun Agnes, timid, sheltered, naive and anxious not to believe what has happened to her, but events later in the play clarify why this is the case.
Katie Ward is nothing less than amazing as the Mother Superior, eager to hide some secret about the event, but what could that secret be and if there is nothing to hide, then why is she so eager to have Dr Livingstone taken off of the case?
Anna Sanderson plays Dr Livingstone with such conviction that at times she almost spits venom at the Mother Superior, all the time knowing that there is something that is being hidden from her and frustrated at not being able to get on with her job that she has been hired to do.
If you want the answers to all of the above....well you know where to go!
There are some lovely comic lines along with the very dramatic and wordy pieces. You could have heard a pin drop through most of the play and you could practically hear the assembled audience breathing, so intense was the action.
All three actors held us spellbound with their performances in this powerful play and you can tell that this must have been a labour of love for director Simon Ward to work on. Bringing out the sensitivity of the piece as well as the hard nosed and stubborn sides from the characters.
This is the third production from Zodiac Theatre who are normally based in Mansfield but have made, not only a departure from the comedy they have previously done, but also a departure to Nottingham to spread the word with their talented crew. The Lace Market theatre is the ideal surroundings for their Nottingham debut and I'm hoping that we see a lot more from this very talented, and friendly theatrical group.
"Agnes Of God" is being performed at the Lace Market Theatre on Thursday 7 August only and you can get tickets from the Lace Market Theatre box office.
Lace Market Theatre
I, along with a select group of people had the pleasure of seeing Zodiac Theatre's first Nottingham production at the Lace Market Theatre of "Agnes Of God" a day ahead of it's public outing, and if you're planning on seeing it on Thursday 7 August 2014, then you are in for a real treat.
Agnes is a young nun who becomes pregnant by what seems to be an immaculate conception. Whether this is the case or not we do not get to find out for sure, which leaves the viewer to make up their own mind as to what may or may not have happened.
It's also partly the story of Doctor Livingstone, the psychiatrist who has been drafted in to try and piece together what happened that led up to the events revealed in the play. We also find out why Dr Livingstone treats the Mother Superior in the way that she does throughout her investigations, and were there darker messages in the play that now and again reared its' head? A thought provoking piece of work for sure!
Lindsay Foster plays the nun Agnes, timid, sheltered, naive and anxious not to believe what has happened to her, but events later in the play clarify why this is the case.
Katie Ward is nothing less than amazing as the Mother Superior, eager to hide some secret about the event, but what could that secret be and if there is nothing to hide, then why is she so eager to have Dr Livingstone taken off of the case?
Anna Sanderson plays Dr Livingstone with such conviction that at times she almost spits venom at the Mother Superior, all the time knowing that there is something that is being hidden from her and frustrated at not being able to get on with her job that she has been hired to do.
If you want the answers to all of the above....well you know where to go!
There are some lovely comic lines along with the very dramatic and wordy pieces. You could have heard a pin drop through most of the play and you could practically hear the assembled audience breathing, so intense was the action.
All three actors held us spellbound with their performances in this powerful play and you can tell that this must have been a labour of love for director Simon Ward to work on. Bringing out the sensitivity of the piece as well as the hard nosed and stubborn sides from the characters.
This is the third production from Zodiac Theatre who are normally based in Mansfield but have made, not only a departure from the comedy they have previously done, but also a departure to Nottingham to spread the word with their talented crew. The Lace Market theatre is the ideal surroundings for their Nottingham debut and I'm hoping that we see a lot more from this very talented, and friendly theatrical group.
"Agnes Of God" is being performed at the Lace Market Theatre on Thursday 7 August only and you can get tickets from the Lace Market Theatre box office.
Tuesday, 5 August 2014
"SHADOW OF THE GHOST"
Nottingham Theatre Royal
The second of the Colin McIntyre Classic Thriller Season 2014 follows on from last week's "The Ghost Train". Written by Nicholas Ridley, son of Arnold Ridley who wrote "The Ghost Train", and Mansfield's Chris Ponka.
The set is the same as last week, but this is because fictitious Am Dram society, The Lemon Tree Players, are set to present a production of "The Ghost Train", little do they realise that they themselves would be wrapped up in a murder mystery to rival that of any fictitious plot.
There are a few new faces in the production, as well as a few of the regular names, Andrew Ryan, in a completely different role from last week's under cover detective, Susan Earnshaw, Jeremy Lloyd-Thomas and Sarah Wynne Kordas. The new names keep the cast fresh and provide some very nice comic touches, especially Alan Magor as the slightly "wet behind the ears" Barrie.
Tabs Productions Company show just how versatile they are with this "play within a play" play and while using the premise of the Arnold Ridley story, the characters and storyline is completely different.
To be honest, I don't think Nicholas Ridley is quite the writer that his dad was because this storyline was no where near as strong as "The Ghost Train" but instead offers a more of a comedy play, which if truth be told, is what the play is billed as, and succeeds under this heading. Saying that though, the ending is more open ended than "The Ghost Train" and possible leaves the door open for another episode for The Lemon Tree Players.
Some nice jumpy bits, good lighting effects and sound and another unexpected twist as to who will be the undercover detective this time. Despite not being as strong as the week's before excellent play, this is entertaining and provides laughs as well as the thrill element.
"Shadow Of The Ghost" is at the Theatre Royal until Saturday 9 August 2014
Nottingham Theatre Royal
The second of the Colin McIntyre Classic Thriller Season 2014 follows on from last week's "The Ghost Train". Written by Nicholas Ridley, son of Arnold Ridley who wrote "The Ghost Train", and Mansfield's Chris Ponka.
The set is the same as last week, but this is because fictitious Am Dram society, The Lemon Tree Players, are set to present a production of "The Ghost Train", little do they realise that they themselves would be wrapped up in a murder mystery to rival that of any fictitious plot.
There are a few new faces in the production, as well as a few of the regular names, Andrew Ryan, in a completely different role from last week's under cover detective, Susan Earnshaw, Jeremy Lloyd-Thomas and Sarah Wynne Kordas. The new names keep the cast fresh and provide some very nice comic touches, especially Alan Magor as the slightly "wet behind the ears" Barrie.
Tabs Productions Company show just how versatile they are with this "play within a play" play and while using the premise of the Arnold Ridley story, the characters and storyline is completely different.
To be honest, I don't think Nicholas Ridley is quite the writer that his dad was because this storyline was no where near as strong as "The Ghost Train" but instead offers a more of a comedy play, which if truth be told, is what the play is billed as, and succeeds under this heading. Saying that though, the ending is more open ended than "The Ghost Train" and possible leaves the door open for another episode for The Lemon Tree Players.
Some nice jumpy bits, good lighting effects and sound and another unexpected twist as to who will be the undercover detective this time. Despite not being as strong as the week's before excellent play, this is entertaining and provides laughs as well as the thrill element.
"Shadow Of The Ghost" is at the Theatre Royal until Saturday 9 August 2014
Subscribe to:
Comments (Atom)